Archeology of Language: Sicilian ‘Beddu’ and Arabic ‘Badu’

Tom Verso (August 30, 2010)
‘Forgetabout’ Verdi in Milan’s La Scala; more appropriate for southern-Italian Americans would be Michela Musolino’s "L’Evento in Memoria di Pino Veneziano" in Selinunte, Sicily. Southern-Italian Americans confuse the current northern-Italian culture meme (cultivated in public schools, Italian language courses and tourist industry) with their own southern-ancestral history and culture.


Archeologists reconstruct the characteristics of past societies based on such things as ‘pot-shards’ and other material remnants of those societies.  Similarly, contemporary languages contain linguistic remnants (words, phrases, sounds, etc.) used in the languages of past societies.  These ‘linguist-shards’ so to speak provide information about the past societies from which they’re derive.


The purpose of this essay is to consider the Sicilian word ‘beddu-a’ as such a ‘linguist-shard’ providing evidence of:

1) Sicily’s past Arab culture

2) The different historic forces affecting the respective cultures of the Italian south and northern-Italy.


“You say ‘bella’ and I say ‘bedda – Let’s call the whole thing off” (George and Ira Gershwin 1937 - modified)


On March 10, 1993, I posted the following query on


“I find the word beddu-a (pretty) listed in Privitera's Beginner's Sicilian language book; but I do not find it in Tuscan dialect (aka Italian) books and dictionaries…Is beddu-a etymologically derived from the Arabic word 'badu' which means 'people of the desert' (Anglicized form: bedouin)?"


Subsequently, some very interesting responses were posted to the H-Italy site and in a recent e-mail note.  These responses may be categorized as follows:


I. Spelling variation


Ben Lawton and John M. Cammett think beddu is simply a spelling variation of bello.


1) “Beddu" is simply the Sicilian word for "bello."  Under certain 

conditions "ll" in Sicilian becomes "dd" as in "cutieddu," or coltello.” (Lawton 3/10/93)


2) “I believe that "beddu" is the Sicilian equivalent of "bello".  The 

pronunciation of the Sicilian "d" or "dd" has no equivalent in Italian. (Cammett 3/11/93)



II. Connotative difference


1) Vincent Peloso thought there was a more significant difference between the two words than simply spelling. He noted the connotative difference of endearment - between ‘beddu’ and ‘bello’. He wrote:


“…as a childhood Sicilian speaker, one in who's home Sicilian was the first I understood it, and subsequently was told by English-speaking relatives, the word was an endearment in Sicilian dialect, as in: beddu miu (my dear, my beloved ).  I recall find it in a Sicilian-Italian dictionary located in the Library of Congress but I do not have the citation at hand. I could not say what its derivation is. (Peloso 3/10/93)


2) Subsequently, I concurred with Peloso’s connotative difference of endearment, writing:


“The bedda = bella notion, implied by Lawton and Cammett, seems to be based on the lexicon or denotative meanings of the words.  In that sense, they are equivalent (beautiful/pretty = beautiful/pretty)."


However, Mr. Peloso brought out the connotative meaning of endearment.  Based on my experience living in a Sicily-American urban village, I perfectly agree with him.   It seems to me, bella is an aesthetics word denoting an abstract sense of beauty as in the cathedral is beautiful (bella). Bedda is not abstract.  It connotes a very strongly felt emotion.


When a grandmother greets her granddaughter with bedda, she is not communicating anything remotely like the man who says the women is bella.  Also, can the Sicilian peasant women's laminating wail Bedda Matri be changed to Bella Matri without a significant change in meaning?  Not in my neighborhood! (Verso 3/12/93)


3) Recently (amazingly, over seven years later), I received an e-mail from ‘Pat’ who also provided examples of bedda’s connotative meaning of endearment. He wrote:


“ the messinese of my grandmother beddu is for people and bellu is for things as in “A casa e' bella" but "A matri e bedda".


III. Similarities between the Sicilian language and Arabic


John Harding provided a cogent example of the general similarities between Sicilian and Arabic suggesting that bedda has Arabic roots and not just a variation in the spelling of bella.  He wrote (note especially ‘bedduzza’):


“My ex-wife speaks Sicilian fluently. We lived for a while in Saudi Arabia, where I taught at King Fahd University. The first time we were visited by one of the university's gardeners, I found to my dismay that he spoke only Arabic. I couldn't understand a word he said. My Sicilian-speaking wife, standing with me said, all of a sudden, "I can understand this guy!" With her Sicilian, she was also able to understand an elderly Saudi lady who paid us visits -- again the Saudi lady spoke only Arabic. Common words like faloos (money), ginna (heaven), tavola (table) were the same in both languages. The Sicilian town of Marsala, famous for its wine, is the Port of Ali (mars ali). Bedduzza mia (my beauty) could understand Arabic. By the way the "dd" is pronounced as a VERY hard "d," in Sicilian and not as a "th." (Harding 3/11/03)


The ‘archeology’ of the Sicilian language


1) Historic Roots of  Sicilian ‘dd’


To my mind, the spelling explanations for the difference between ‘bedda’ and 

‘bella’, limited to the ‘denotative’ definition and ignoring the ‘connotative’ meaning, are incomplete explanations.  The complete meaning and understanding of any word in any language entails both the denotation and connotation.


Moreover, the ‘spelling explanations’ do not lend themselves to finding the ‘cause’ of the differences between the Sicilian language and Tuscan/Italian.  Whereas the connotative mean of ‘bedda’ discussed above points to a suggestion about the origin of the word and implies more generally the vast differences between the histories and cultures of northern-Italy and the South.


Language is a social variable.  It changes (varies) over time and those changes (variations) are caused by, or correlated with, other social variables (e.g. migration, etc.).  The social scientific historical question is:


Why is there a difference between the Sicilian language and northern dialects exemplified by bella and badda; i.e. what is the cause of the differences between them.


In the above mentioned e-mail, ‘Pat’ also brought out a very interesting historic aspect of the ‘dd’ ‘ll’ difference.  He writes:


“The double D sound in various pronunciations, is found not only in Sicily but in the regions of Calabria, Puglia, Basilicata, Sardegna as well as the southern part of the province of Salerno and in pockets in the province of Avellino in the region of Camapania.” 


“The transition “from the LL to the DD: occurred at least 1,000 years ago as Vulgar, or Late Latin transformed into the Romance languages and all their ‘dialects’.”


Note: Pat does not list northern Italian idioms as having experienced the same ‘DD’ evolution - especially Tuscan/Italian. Also, John Cammett says:  “The pronunciation of the Sicilian "d" or "dd" has no equivalent in Italian.



In short, the Latin word ‘bellus’ evolved into the northern Italian ‘bella’ and the Sicilian ‘bedda’.


Pat’s reference to the Vulgar transition period “as least 1,000 years ago” (i.e. late first– early second millennium) puts the southern ‘DD’ sound in an historic context where we can look for ‘causes’ or ‘correlates’ of the transition.


Seemingly, social events occurred in the South during this period that affected the evolution of its language that did not occur in the North. What might they be?


The late first and early second millennium period marks the height of Arab presents in southern Italy and Sicily. The linguistic transition from the Vulgar to the southern languages occurred during the same time frame as the pervasive Arab presence and influence in southern Italy and Sicily.  At the time, Arab presence in the South took many different forms: colonization (e.g. Sicily), extensive trade, mercenaries for southern Italian nobles, and seaborne military raids from Rome to Apulia.


In her absolutely masterful source document history, “Before the Normans: Southern Italy in the Ninth & Tenth Centuries”, Barbara M. Kreutz writes:


“During the first half of the ninth century, southern Italy…began to slide within the orbit of Islam…The real role of the Arabs in southern Italian history has had little attention…the Arab impact on southern Italy was complex.” (emp.+)


2) beddu & badu


It is my understanding that the Arabic word ‘badu’ has a similar connotative meaning as the Sicilian word ‘beddu’.  That is to say: it connotes a sense of endearment. Arabic ‘badu’ denotes people of the desert.  However, desert in this case is not simply a geographic location or phenomenon.  There is a spiritual (almost mystic) connotation to the desert.  If this is the case, when an Arab refers to the people of the desert (badu), it has a connotative meaning much different than an American referring to the people who live in the Southwest (e.g. Arizona). The desert is not just a place where the badu live.  To the badu the desert is an endearing place.


Consider, for example the 6th Century poem “A Desert Encampment” which juxtaposes the “unhallowed” characteristic of the desert such as great deluges” with the “sacrosant” characteristics of the “star-bourne showers of Spring” that bring forth “aihakan”, “ostriches” and “antelopes”.  (see: “Bedounin - A Desert Encampment” ) .  Also, think of Libya’s current head of state Muammar Gaddafi who lives in a tent and takes it with him on international state visits.


My theory is that an endearing concept of the desert connoted in the Arabic word badu was introduced into the Sicilian language as beddu circa 1,000 AD.  This is to say; the Sicilian word ‘beddu’ is a ‘linguist-shard’ from the period when Arab culture was having a major impact on the people and culture of southern Italy and Sicily.




More importantly, the difference between bedda and bella is indicative of a much more general differentiation of the histories and cultures of northern and southern Italy. Unlike the North, the South especially Sicily as noted by Prof. Kreutz came under intense Arab influence between the first and second millennium; an influence that is manifested today in the language, food, architecture, music, facial features, etc. of Sicily.  Consider for example the music and countenance of Michela Musolino, both Arabic through and through.


Americans of southern Italian and Sicilian descent, it seems to me, are largely uninformed about their ancient past and how that past is still present in their culture.  They are becoming confused about what it means to be an American of southern-Italian descent.  Increasingly, under the influence of mass media, public school education, college Italian language course, the Italian tourist industry, etc., they are coming to identify with the history and culture of the northern Renaissance. 


To my mind this is not simply poor education.  It is a tragedy because the history of southern Italy and Sicily incorporates the history of the whole Mediterranean ancient world: Egyptian, Mycenaean, Phoenician, Classical Greek, Romans, Orthodox Greek, Arabs, etc. Whereas northern Italian history only goes back as far as the nomadic invaders (aka barbarians) from the Eurasian Steppes who overran the vestiges of the collapsing Western Roman Empire in northern-Italy.


However, there are signs that “the South will rise again”; for example, the music of Michela Musolino.








on Michela Musolino (not verified) wrote

re: Archeology of Language

Dear Tom, Thank you for promoting Sicilian Culture! Here are some links that may be of interest to your readers - This one is about L'Evento in Memoria di Pino Veneziano: Here is the Associazione di Pino Veneziano website: If they'd like to explore more Sicilian Roots Music:


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on Anonymous (not verified) wrote

This is sheer and useless

This is sheer and useless obstination in trying to dig out connections between something sicilian and something else that has absolutely nothing to do with Sicily, aimed at the exalting of the island, its inhabitants and - finally - its emigrants. Some time ago, this same writer came out suggesting that the similarity of some names of sicilian places with those of other places in - of all places - Liguria would be indicative of - hear ye all - an ancient colonization of that coastal part of northern Italy. This is ridiculous. The sicilians want to find some direct link with arabs? Nothing easier, they were dominated by them - as they were by every other possible power, the normans, the angevins, the spaniards, the french... The sicilians want to find deeper and stricter ties with arabs than with execrated Italy??!!! Go ahead, vote yourselves out of Italy, annex yourselves to some arab states - you got Libya just a few hundred miles away, go and pester THEM- The important thing is that they get themselves out of Italian @@, maybe Italians won't have to hear anymore their anymore their continuous griping.
on Anonymous (not verified) wrote

The massacre of languages

For Heaven's sake, you Italian-Americans, STOP these useless and fatuous debates about subjects Americans can know nothing about, and ties to be found between words in languages you have no idea about. You are just feigning culture when you have none. There was NO "bellus" in Latin "": "beautiful" in that language was "pulcher" (M), "pulchra" (F), "pulchrum" (N). "Bellum" did exist, and had a meaning, "war", that has nothing to do with "beauty". Go ahead, check in Merriam-Webster's what "pulchritude" means - it also gives its ethymology (= derivation of the word). It's known that Americans only know three languages: American, baseball and poker (and this is not mine, but by the very American writer Sinclair Lewis in "Babbitt", 1922).
on Anonymous (not verified) wrote

Adding to my comment sent

Adding to my comment sent yesterday: what’s this nonsense of an exhortation to “forget Verdi and La Scala Theatre” in Milano? Verdi, and all major Italian composers (NONE of which - with ONE exception, Vincenzo Bellini - from Southern Italy “cum” that triangular island at its toe) of operatic and classical music, will keep attracting music aficionados and connoisseurs for a long time after this Michela Musolino, with her “beautiful berber face“, her strumming and her chants in Sicilian dialect(s). They will keep attracting audiences not only to La Scala (THE  “Mecca” for operatic singers, the world over), but to the Fenice in Venezia, the Carlo Felice in Genova, the Regio in Parma, the “Comunali” in Firenze and Bologna, the Morlacchi in Perugia. There are no theatres worthy of mention in Southern Italy-Sicilia, but 3;: the Massimo in Palermo, the S. Carlo in Napoli, the Petruzzelli in Bari. What’s this obstinacy in keeping presenting Southern Italians cum Sicilians as the exclusive patented representatives of Italy abroad (especially meaning, here, the USA)??!!! As far as known, they’ve made Italy known as the place of origin of organized crime – i.e., the exclusively Southern Italian cum Sicilian conventicles: mafia, ‘ndrangheta, camorra, sacra corona unita.No matter what Mr Verso profusely and repetitively expounds, “the Italian culture of public schools, Italian language courses and tourist industry” IS the one in “standard Italian” (which, mainly, is in the variety of Toscana, not that of  “southern-ancestral history and dialectal culture”). It NEEDS to be, a country NEEDS to have a common language accessible to all. Even Pirandello and Verga, to name two strictly Sicilian writers, pillars of ITALIAN literature, wrote and published in standard Italian, NOT in dialect. The use of dialects in Italy is amply tolerated and encouraged at private and colloquial level, but not for “official” purposes and documents. The same, I think, is for G.B. and the USA (although the latter might have to substitute English with something else sooner or later, ha Ha HA.). You’ll be todos caballeros.To go back to the “dd” vs “ll” issue: Ben Lawton is right, “dd” is, in Sicilian, a frequent deformation of “ll” in Italian; so is the substitution of a “u” for a “o”, but that, too, is  a deviation from the language. Want another example? “Postage stamps” is, in Italian, “francOBOLLi” and becomes “francUBBUDDi” in Sicilian (yes, including that doubling up of the “b”). I don’t know the reason for it, and I couldn’t care less.How many of you know that Sicilian song, “ciUri ciUri, ciUri di tuttU l’annU / l’ammuri ca mi dasti io tI lu tornu”, “fiOri, fiOri di tuttO l’annO, l’amOre che mi dasti io te lO tornO”, “flowers, flowers of the whole year / the love you gave me, I am returning it to you”. It’s a beautiful song, musical and happy.Mr Verso, I don’t care a hoot if “beddu/a”it derives from the arab “badu”, it might. But please stop forcing your linguistic interpretations on this “colto pubblico ed inclita guarnigione”, including those ridiculous insinuations that some fortuitous resemblances of geographical names, in Sicilia and in Liguria, mean an ancient colonization of the latter by the former. Go tell that to a Genovese but... make sure you can run FAST.
on Anonymous (not verified) wrote

if anything I would think

if anything I would think that the sicilian beddu is closely related to the homophonic baddu/beddu of Lebanese Arabic. The Lebanese word means 'want,' it is used in the sense of desiring something. It is easier to argue this semantic similarity to the concept of "pretty"/'bello' than the one offered in this article, i think.
on Charles Mistretta (not verified) wrote


Does anyone know the translation or origin of the word chidrool. Spelling might be wrong. My family used it to describe an idiot or silly person.