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You chose: New York City Ballet

  • When the movie Pina by Wim Wender came out in 2011 it reached unexpected audiences and made a less known figure and an indie experimental approach understandable and fully engaging. It might have not swept the nation like "La La Land" or be a cinephile favorite like "Singing in the Rain", or "The Red Shoes", but it took dance in its purest form and made it an entertaining, poetic, visual spectacle where the movement itself tells the story, where the 3D is not used for jumping dinosaurs but envelops you in a multi-dimensional idea of beauty.