Articles by: Susan Powell

  • Events: Reports

    The Art of Humanity at The Pratt Institute

    The promotion and sharing of art and culture are honed tools for countering intolerance and barbarism. With this heartfelt conviction Imago Mundi – the cultural, democratic and global non-profit project promoted by Luciano Benetton – presents at the Pratt Institute of New York, one of the most prestigious universities in the world for the Arts, Architecture and Design, the exhibition The Art of Humanity, which includes around 3,000 works by artists from 14 countries, representing every continent.

    From May 23 to 28, 2016, the Pratt’s Rubelle and Norman Schafler Gallery will host the contemporary art collections in the 10x12 cm format from Australia/ Aboriginal Art (Oceania); Afghanistan, China, Japan, Iran, Israel, Syria, Tibet (Asia); Italy (Europe); Chile, USA (Americas), Egypt, South Africa, Tunisia (Africa). This is a significant extract of the global collection – which has now passed the 100 nation milestone – that conveys the world as we would all like it to be: colorful, in peace and without walls.

    “In a place of excellence for artistic training like the Pratt Institute – stated Luciano Benetton – we aim to show the world as we would like it to be: colourful, in peace and without walls. Our idea of art generates dialogue between different visions and poetics, it builds bridges between apparently conflicting ideologies and faiths: ‘unity in diversity’, as augured by the prophetic German artist Joseph Beuys.”

    To coincide with this exhibition at the Pratt Institute, Imago Mundi will make its debut on the Google Cultural Institute platform, which hosts the works of many museums and art projects around the world, where, with a click, ‘virtual’ visitors will have the opportunity to discover the images and videos of the event and the works exhibited in New York.

    The Imago Mundi artists are promoted internationally through catalogs, the web platform and participation in shows and exhibitions in partnership with private and public institutions around the world: from Venice (Biennale 2013) to Senegal (Dak’Art off 2014), from Rome (Museo Carlo Bilotti, 2014/2015) to New Orleans (NOMA, 2014/2015), from Vienna (Belvedere & Winter Palace, 2015) to Turin (Fondazione Sandretto Re Rebaudengo, 2015) and once again Venice, coinciding with the 56th Art Biennale (Giorgio Cini Foundation, Island of San Giorgio Maggiore, 2015).

    About Imago Mundi Project:
    Imago Mundi is an idea of Art. Imago Mundi is an idea of the World. Art and the World without borders – a democratic, collective and global map-in-the-making of human cultures – as envisioned by Luciano Benetton, creator of United Colors of Benetton, a leading fashion brand, and art patron by vocation.

    With a single format, 10x12 cm, the collection brings together artists from every continent: to date, more than 17,000 from 100 countries. Established names and emerging talents, young and old, women and men, all side by side on the same starting line. And all involved on a voluntary and non-profit basis.

    Under the aegis of the Fondazione Benetton Studi Ricerche, Imago Mundi brings together North and South, East and West, to create a dialogue in the name of Art. The result is an impassioned, creative, visionary kaleidoscope of techniques, colors, currents and inspirations. A mosaic of stories, passions, dreams, actions and contradictions, where each work lives by its own light, but at the same time serves as a piece in a global picture.

    The Imago Mundi artists are promoted internationally through catalogs, the web platform and participation in art fairs and exhibitions in partnership with private and public institutions around the world: from Venice (Biennale 2013) to Senegal (Dak’Art Off 2014), from Rome (Museo Carlo Bilotti, 2014/2015) to New Orleans (NOMA, 2014/2015), from Vienna (Belvedere & Winter Palace, 2015) to Turin (Fondazione Sandretto Re Rebaudengo, 2015) and Venice once again, in conjunction with the 56th Art Biennale (Fondazione Giorgio Cini, island of San Giorgio Maggiore, 2015).

  • Art & Culture

    Antonio Pio Saracino: Universal and Timeless

    Elegance, sharp lines, strips of light cutting across geometrical shapes. Looking at the work of Antonio Pio Saracino—Pugliese by blood, now living between Rome and New York—you can’t help but think about how the artist marries urban space and nature. 

    No matter whether it’s a piece of furniture, a sculpture or a building, nature remains fundamental to Saracino’s work. 

    A consummate multi-tasker, he is one of the most prolific and creative architects of his generation, having successfully collaborated with prestigious entities such as the New York Times, the Wall Street Journal, Architectural Digest, Interior Design, Vanity Fair, Wallpaper and Vogue. 
    Some of his work belongs to the permanent collections of the Brooklyn Museum, the Museum of Art and Design in New York, and the Powerhouse Museum in Sydney.

    Italy in New York
    Among Saracino’s monuments belonging to the city is an imposing set of sculptures in Bryant Park called “The Guardians: Hero and Superhero.” The twelve-foot tall marble and steel sculptures, inspired by Michelangelo’s David, were made for the Year of Italian Culture in the U.S. with the support of the Italian government and ENI, a multinational energy company. (There isn’t an Italian alive who doesn’t recognize ENI’s logo, a six-legged dog who spits fire; the logo was created by Luigi Broggini and later refined by Saracino himself.)
    Without knowing it, passersby become part of his work, making Saracino’s art, despite its complexity, accessible to a wider public, a means for residents to interact with the space they inhabit. “Design is nature,” says the architect.
    “In past centuries, nature was a source of inspiration for architects and designers. Its forms, its structures, its organizing principles. Architecture and design objects are made with materials extracted from nature. Design represents a continuation of that via its constructive capacities. Our pursuits are made using a natural “product”: humanity. The objects we create imbue our surroundings with the greatest and most sophisticated meaning.” New York has been Saracino’s creative and professional home for over ten years. He loves the city for its ability to blend artistic ambitions, functional demands and multicultural groups.

    “New York is the place where the idea of living together, of uniting different cultures, is a reality. The idea of integration and respect is the most powerful force we have in this city, and it makes me so proud to be a resident. I find it very inspiring to connect with so many different cultures every day and figure out how to create signs and designs for a world that is beginning to bring people and cultures together in a universal vision, in continuity with nature.”

    Saracino’s style is a hybrid of experimental design grounded in a solid architectural background, and Americans have admired his combination of traditional Italian design and manufacturing skills. Furthermore, the development of new digital technologies and the parametric approach have made it possible to re-envision objects and create new designs & The Lanciano Building architectural forms of “artificial paradises” in a post-natural world. “Artists have become architects and sculptors engineers,” says Saracino. “In our age we are experiencing the same redefinition where a more fluid culture is allowing us to explore new ideas and build a new reality.” Design, therefore, is a synthesis of functionality and beauty. It establishes a bond between those interacting with it that is both aesthetic and emotional.

    Italian Heritage, International Presence
    Despite his flair for the contemporary, Saracino makes a point of reiterating how much Italian history and cultural has influenced him. “[In Italy] I studied the importance of design to a culture’s identification and evolution, how crucial it is for design and architecture to instill in a city’s residents a sense of belonging, happiness and pride. Certainly my Italian heritage is an important part of my design vision.” Saracino has continued to work in Italy. 
    He is currently completing a building in Lanciano, Abruzzo, and new projects in Florence and Puglia are in the works. Honored, he informs us that a project underway in the French city of Carcassonne has just been acquired by the Centre Pompidou, one of the most important cultural institutions in France and Europe; that he is also at work on new monuments in Los Angeles and New York; and that he has recently finished architectural projects for Dubai’s new district, d3, as well as the design for a Museum in Dubai.

    And he is now working on two sculptures that will be unveiled in the coming months for Manhattan’s New York- Presbyterian Hospital? “The project, Life, was commissioned by an anonymous donor for the historic entrance to the New York-Presbyterian Hospital on 68th street, on the Upper East Side of Manhattan,” Saracino reveals. New York Presbyterian is one of the top-ranked clinical and medical research centers in the United States. Their motto, “Amazing things are happening here,” reflects each life they have saved and the progress that their school of research has achieved. Saracino’s Life consists of two sculptures, each composed of a series of twin polished, stainless steel rings of different heights and radiuses assembled on top of each other and shifted from their vertical axis to create two dynamic, iconic figures.

    “The ‘Life’ sculptures are visually unstable at the same time that they maintain an internal stability,” he explains. “Life is fragile and vulnerable yet life is strong and resilient. Life is about finding that unique balance between inner and outer forces that unfold during our existence. The visual unbalance, contrasted with the structural stability of the sculptures, asks viewers to reflect on the balance that one must strive to achieve in nearly all aspects of life, as well as the fine line between strength and fragility. They remind us that life is a treasure, something to be preserved and cherished.” Pedestrians take note: in cities around the world you might find yourself admiring, perhaps by chance, one of Antonio Pio Saracino’s works.
    If you are in New York don't miss the exhibition at the Museum of Arts and Design of Saracino current work for an extended celebration of New York Design Week. The artist will present 'DIGITAL CITIES' light tapestry by Rubelli and 'LIFE' drawings for a new Monument at NY-Presbyterian Hospital to be installed in Summer 2016. 

    To see the Making of the Guardians >>> 

    Next event: May 19, 10AM-4PM at Museum of Arts and Design, 2 Columbus Circle, 7th Floor